A Lesson for High School Language Arts
"Look in thy glass and tell the face thou viewest
This is the third in the
Now is the time that face should form another;
sonnet sequence written
Whose fresh repair if now thou not renewest,
by the bard; this one,
Thou dost beguile the world, unbless some mother.
interestingly enough, is
For where is she so fair whose unear'd womb
a personal exhortation from
Disdains the tillage of thy husbandry?
the speaker to a favorite young
Or who is he so fond will be the tomb,
man to marry and start a family.
Of his self-love to stop posterity?
Thou art thy mother's glass and she in thee
Calls back the lovely April of her prime;
So thou through windows of thine age shalt see,
Despite of wrinkles this thy golden time.
But if thou live, remember'd
not to be,
Die single and thine image
dies with thee. "
William Shakespeare
Length of time: Three ninety-minute blocks
Subjects: English, Social Studies
Learner Outcomes:
Students will be able to recognize both Italian
and English sonnets.
Students will recognize the sonnet as representative
of both classical form and
Renaissance convention.
Students will recognize sonnet conventions
and innovations in modern
versions of the form.
Students will compose couplets, quatrains
and sonnets of their own.
Materials: a variety of sonnets from Petrarch, Wyatt, Surrey, Wordsworth, Millay and/or others
Technology Tools:
Overhead projector
Tape recorder and cassettes
Teacher Notes: Students should have completed a study of the classical
ideas
of order, form and structure, and be familiar with the background of
cultural,
social, and political changes brought about by The Renaissance.
Procedures:
Teacher will present the two types of sonnets
on overhead projector and on
handouts.
Transparencies will be used to demonstrate
the structures, rhyme schemes,
and conventions of the Italian and English
sonnets.
Recordings of various sonnets will be played.
Handouts will be used for student marking
of rhyme schemes, conventions,
and special details such as spondees, slant
rhymes, closing couplets, Italian
octave/sestet arrangement, English quatrain/couplet
arrangement.
Paraphrasing will be a significant part of
this study in order for students to see
the conventions of Renaissance thought and
the attitudes of men toward their
place in the world, toward women, and toward
life in general
Readings of contemporary sonnets will be an
important part of this lesson; the
sonnets of Edna St. Vincent Millay may be
used to demonstrate how a woman
in the twentieth century used a combination
of English and Italian forms to
show a feminist spirit before it was fashionable
or politically correct to do so
("I shall forget you presently, my dear..."
or "What lips my lips have kissed..."
among others).
Students will attempt to write couplets, quatrains
and sonnets along with the
teacher.
Enrichment Activities: Students may be directed to do research
on the writers of
sonnets during the Renaissance
to study the more humanistic thinking of the
and to study the contrasts
between what were the ideals (in life, love, politics,
human freedom) and what
were the realities.
IGOs: English: 10.1, 10.12, 10.13, 10.23, 10.30, 10.46, 10.62,
10.82
Social Studies: 10.14, 10.25
Evaluation/Assessment: Quizzes and test on the sonnet form; creative
attempts
at writing poetic lines,
iambic pentameter, English sonnet quatrains and
Italian and English sonnets
References:
Teachers may find wonderful resources on the
internet by using the key words
shakespeare shakespeare
sonnets italian renaissance edna st.vincent millay
Standard sophomore and senior level texts
such as Holt Rinehart Winston's
Elements of Literature are adequate in providing
basic information on sonnets and
on Renaissance background. This is not
a difficult topic to research and sonnets of
varying levels of difficulty may be used for
different ability levels.
Author: Barbara B. Scofield (with Mary Humphreys and Joanna Smith);
Greenbrier
East High School, Lewisburg,
WV 24901; email:scofieldbarbara@hotmail.com
"Whether or not we find what we are seeking
is idle, biologically speaking....."
....Edna St. Vincent Millay